Shiva Guru SPARK VASI YOGA

 Shiva Guru SPARK VASI YOGA 🧘‍♂️

கோரக்கர் சித்தர்

சந்திரரேகை

என்ற நூலில்..!!

ஒரு நாழிகைக்கு

 *360* சுவாசம் , 

ஒரு நாளைக்கு 21,600

சுவாசம். மூச்சுப் பயிற்சியில்

 பூரகம் என்பது 

மூச்சை உள்ளே இழுப்பது, 

கும்பகம் என்பது 

உள்வாங்கிய மூச்சை (காற்று) 

உள்ளே நிறுத்துவது.

, ரேசகம்

என்பது மூச்சை வெளியிடுவது. 

நமக்கு எந்த நாசியில் 

சுவாசம் ஒடுகின்றதோ 

அதற்கு  பூரணம் 

என்று பெயர்.

 சீதாக்காயம் 

என்று கோரக்கர்  

சித்தர் கூறியிருக்கிறார். 

சீதாக்காயம் 

என்பது 

நமது நாசி (மூக்கு ) தான். 

நாசிக்குமேல் 

காசி என்று கூறுவார்கள். 

அது என்னவென்றால்

 " சுழிமுனை" என்து ஆகும்.

நமக்கு இடது நாசி 

சந்திரகலை. 

அதில் வரும் காற்று 

குளிர்ச்சியாக இருக்கும். 

வலது நாசியில் 

சூரியகலை. 

அதில் வரும் காற்று 

உஷ்ணமாக இருக்கும்.

 இரண்டு நாசிகளிலும்,

 *மூச்சுக் காற்று வந்தால் 

அதற்கு 

" சுழிமுனை "* 

என்று பெயர். 

பொதுவாக 

மழைக் காலங்களில் 

இயற்கையாகவே 

சூரிய கலையில் ஓடும். 

அதிக வெயில் அடிக்கும் 

பொழுது சந்திர கலையில் 

சுவாசம் ஓடும். 

இது இயற்கையாகவே 

அமைந்துள்ள அற்புதம் ஆகும்.

 ஏனெனில் உடலில் 

சூடும், குளிர்ச்சியும், 

சமநிலையில் இருக்க வேண்டும். 

இதில் எந்த ஒரு குறைபாடு 

இந்தாலும் 

நமது உடலல் பல உபாதைகள் ஏற்படும். 

நம் மூச்சுக் காற்றிலே 

இறைவன் எவ்வளவு 

சூட்சுமத்தை வைத்துள்ளான்.

மேலும் ஒருவருக்கு 

சூரியகலையில் சுவாசம் 

மூன்று நாட்கள் ஓடினால் 

அவருக்கு 

ஒரு வருடத்தில் 

மரணம் சம்பவிக்கும். 

ஒரே நாசியில் 

பத்து நாட்கள் தொடர்ந்து 

ஒடினால் மூன்று மாதத்தில் 

மரணம் ஏற்படும். 

சூரிய கலையில் 

ஓடக்கூடிய காற்று 8 அங்குலம்.

 

சந்திர கலையில் ஓடும்

காற்று 16 அங்குலம்.

 மூச்சுப் பயிற்சி 

செய்யும் பொழுது 

12 அங்குலம் 

காற்றை உள்ளிழுத்து,

8 அங்குலம் நிறுத்தி, 

4 அங்குலம் வெளிவிட வேண்டும். 

இதே முறையில் 

ஒருவனுக்கு 

சுவாசம் 

தொடர்ந்து ஓடினால் 

அவன் 120 வருடங்கள் 

வாழ்வான். 

இவ்வாறு 

சுவாசம் குறைய 

ஆயுளும் கூடும். 

சுவாசம் அதிகரிக்க அதிகரிக்க 

ஆயுள் குறையும்.

அதனால்தான், 

சுவாசத்தை அடக்குவதால் 

ஆமைகள் 300 வருடங்கள், 

400 வருடங்கள் வாழ்கின்றன.

 அதேபோல்தான் 

பாம்பு 800 வருடம், 

1000 வருடம் வாழ்கின்றன.

 இதைப் பற்றி 

உணர்ந்த 

நாம் பின்பற்றுவதில்லை.

நம்முள் சுவாசம் 

நடக்கும் அளவு

அமர்ந்திக்கும் போது - 12 அங்குலம்

நடக்கும் போது             - 16 அங்குலம்

ஓடும் போது                  - 25 அங்குலம்

உறங்கும் போது          - 36 அங்குலம்

உடலுறவு கொள்ளும் - 64 அங்குலம் போது

*சுவாசம் குறைத்தால் 

ஏற்படும் நன்மைகள்*

*11 அங்குலமாக குறைந்தால் 

உலக இச்சை நீங்கும்*

*10 அங்குலமாக குறைந்தால் 

ஞானம் உண்டாகும்*

*9 அங்குலமாக குறைந்தால்  

விவேகி ஆவான்*

*8 அங்குலமாக குறைந்தால்  

தூர திருஷ்டி காண்பான்*

*7,அங்குலமாக குறைந்தால் 

ஆறு சாஸ்திரங்கள் அறிவான்*

*6,அங்குலமாக குறைந்தால் 

ஆகாய நிலை அறிவான்*

*5, அங்குலமாக குறைந்தால் 

காயசித்து உண்டாகும்*

*4,அங்குலமாக குறைந்தால் அட்டமாசித்து உண்டாகும்*

*3,அங்குலமாக குறைந்தால் 

நவகண்ட சங்சாரம் உண்டாகும்.*

*2, அங்குலமாக குறைந்தால் 

கூடுவிட்டு கூடுபாய்தல்*

*1, அங்குலமாக குறைந்தால் 

ஆன்ம தரிசனம்*

உதித்த இடத்திலேயே 

நிலைத்தால் சமாதி நிலை 

அன்ன பாணம் நீங்கும்

எந்தெந்த நாட்கள் 

எந்த சுவாசம் ஓட வேண்டும்  

என்பதைப் பற்றி காண்போம்

ஞாயிறு, செவ்வாய் , சனி – 

இம் மூன்று நாட்களிலும் 

சூரியகலை ஓட வேண்டும்.

வெள்ளி, திங்கள் , புதன் – 

இம் மூன்று நாட்களிலும் 

சந்திரகலை ஓட வேண்டும்.

வியாழக்கிழமை -

பூர்வபட்சம் (வளர்பிறை) –

சந்திர கலை ஓட வேண்டும்.

அமரபட்சம் (தேய்பிறை ) – 

சூரிய கலை ஓட வேண்டும்.

இம் முறையில், 

அதிகாலை 4 மணிக்கு 

சுவாசம் நடக்கு வேண்டும். 

இவ்வாறு தொடர்ந்து 

நடந்தால் காரியங்கள் 

அனைத்தும் சித்தியாகும்.

 சனிக்கிழமை மட்டும் 

அதிகாலை 4 மணி முதல் 

இரவு 12 மணி வரை 

சூரிய கலையில் சுவாசம் ஓட வேண்டும்.

மூச்சுப் பயிற்சி 

செய்யும் பொழுது 

வடக்குப் பக்கம் பார்த்தவாறு கைகால்களை ஆட்டாமல் 

அசைக்காமல் 

நிமிர்ந்த வாக்கில் 

அமர்ந்து கொண்டு 

மூச்சை சூரிய கலையிலும், 

சந்திர கலையிலும் 

மாற்றி மாற்றி 

இழுக்க வேண்டும் 

என்று கூறியுள்ளார். 

கோரக்கர் சந்திரரேகை* 

என்ற நூலில் கோரக்கர் சித்தர் ,

சிவ சம்போ மஹா தேவோ பவ.

Breathing infinite Science

 Shiva Guru SPARK VASI YOGA 🧘‍♂️

What is Pranayam? Types of Pranayam-----

Pranayama (According to Yogi Bhusunda)

Bhusunda says to Sri Vasishtha: “In the cool lotus of the heart within this visible tenement of flesh composed of the five elements, there are two Vayus, viz., Prana and Apana, commingled in it. For those who tread smoothly and without any or the slightest efforts, the path of these two Vayus, will become the sun and the moon themselves in the heart—Akasa, and will rove in the Akasa and yet be animating and carrying their fleshy-tabernacle. These Vayus will go up and down to higher and lower states. They are of the same nature in the waking, dreaming and dreamless sleeping state, and permeate all throughout. I am moving in the direction of those two Vayus and have rendered nil all my Vasanas in the waking state lit unto those of the dreamless sleeping state. Divide a filament of the lotus-stalk into a thousand times and you will find these Vayus more subtle than that. Hence it is difficult for me to treat about the nature of these Vayus and their vibrations. Of these, Prana does ceaselessly vibrate in this body, with an upward motion, both externally and internally, while Apana having the same fluctuating tendency, vibrates both external and internal to the body having a downward motion. It will be beneficial if the Prana exhaled to the extent of 16 digits, is inhaled to the same extent. Only 12 digits are inhaled ordinarily. Those who have brought to experience—viz., the equalisation of Prana in exhalation and inhalation will enjoy infinite bliss.

“Now hear about the characteristics of Prana. The inhalation to the length of 12 digits of the Prana which has been exhaled, is called (the internal) Puraka (inhalation). This also is called the internal (Puraka), when Apana Vayu re-enters the body from outside without any effort. When Apana Vayu ceases to manifest itself and Prana gets absorbed in the heart, then the time occupied in such a state is (internal) Kumbha. Yogins are able to experience all these. When the Prana in the Akasa of the heart manifests itself externally (to the heart within) in diverse aspects without any affliction to the mind then it is called (the external) Rechaka (exhalation). When the externally fluctuating Prana enters the nose and stops there at its tip, then it is called the external Puraka. But when it is passing from the tip of the nose it goes down 12 digits. Then also it is called the external Puraka. When Prana goes arrested without and Apana within, then it is called the external Kumbhaka. When the shining Apana Vayu takes an upward bent within, then it is styled the external Rechaka. All these practices lead to Moksha. Therefore they should ever be meditated upon. Those who have understood and practised well all the external and internal Kumbhakas and others, will never be reborn.

“All the eight courses, I have given out before, are capable of yielding Moksha. They should be practised both day and night. Those who are associated with these practices smoothly and control their minds by not letting them run in other directions, will in course of time attain Nirvana. Such practitioners will never thirst after material pleasures. They will ever be in their uniform practice, whether walking, standing, waking, dreaming or sleeping.

“Prana, having flown out, will again be absorbed in the heart having run back 12 digits. Similarly will Apana be absorbed in the heart, having issued out of the heart and running back 12 digits to it. Apana being the moon, will cool the whole body in its passage. But Prana being the sun, will generate heat in the system and cook or digest everything in it. Will pains arise in one who has reached that supreme state, where the Kalas (rays) of Apana the moon, are drowned by Prana the sun? Will rebirth arise in one who has reached that powerful seat, when the Kalas of Prana, the sun, are devoured by Apana the moon? These will arrest at once the seven births of those who reach that neutral state where they find Apana Vayu consumed by Prana and vice versa. I eulogise that Chidatma, who is in that intermediate state, where Prana and Apana are absorbed in one another. I meditate ceaselessly upon that Chidatma, who is in the Akasa, directly in front, at the end of my nose, where Prana and Apana both become extinct. Thus it is through this path of Prana’s control, that I attained the supreme and immaculate Tattva, devoid of pains.”

Control of Breath

The first important step is to master the Asana of posture or to control the body. The next exercise is Pranayama. Correct posture is indispensably requisite for the successful practice of Pranayama. An easy comfortable posture is Asana. That pose is the best which continues to be comfortable for the greatest length of time. Chest, neck, and head must be in one vertical line. You should not bend the body either forwards or laterally, i.e., either on the right or left side. You should not sit crooked. You should not allow the body to collapse. You must not bend the body either forwards or backwards. By regular practice the mastery over the pose will come by itself. Fatty people will find it difficult to practise the Padma Asana or the Lotus Pose. They can sit on the Sukha Asana (comfortable pose) or Siddha Asana (perfected pose). You need not wait for practising Pranayama till you get full mastery over the Asana. Practise Asana and side by side you can practise Pranayama also. In course of time, you will acquire perfection in both. Pranayama can also be practised by sitting in the chair erect.

In Bhagavad-Gita, the Immortal Song of Lord Krishna, you will find a beautiful description of seat and pose: “In a pure secret place by himself established in a fixed seat of his own, neither too high nor too low, with cloth, black antelope-skin and Kusa grass one over the other, there, making the mind one-pointed, with thought and the functions of the senses controlled, steady on his seat, he should practise Yoga for the purification of the Self, holding the body, head and neck erect, firm, gazing steadily at the tip of the nose without looking around” (Ch. VI—10,11, & 12).

Pranayama is the control of the Prana and the vital forces of the body. It is regulation of the breath. This is the most important step. The aim of Pranayama is the control of Prana. Pranayama begins with the regulation of the breath for having control over the life-currents or inner vital force. In other words, Pranayama is the perfect control of the life-currents through control of breath. Breath is external manifestation of the gross Prana. A correct habit of breathing must be established by the regular practice of Pranayama. In ordinary worldly persons the breathing is irregular.

If you can control the Prana you can completely control all the forces of the Universe, mental and physical. The Yogi can also control the Omnipresent manifesting power out of which all energies take their origin, whether concerning magnetism, electricity, gravitation, cohesion, nerve-currents, vital forces or thought-vibrations, in fact the total forces of the Universe, physical and mental.

If one controls the breath or Prana, the mind also is controlled. He who has controlled his mind has also controlled his breath. If one is suspended, the other is also suspended. If the mind and Prana are both controlled one gets liberation from the round of births and deaths and attains immortality. There is intimate connection between the mind, Prana and semen. If one controls the seminal energy, the mind and Prana are also controlled. He who has controlled his seminal energy has also controlled his Prana and mind.

He who practises Pranayama will have good appetite, cheerfulness, handsome figure, good strength, courage, enthusiasm, a high standard of health, vigour and vitality and good concentration of mind. Pranayama is quite suitable for the Westerners also. A Yogi measures the span of his life not by the number of years but by the number of his breaths. You can take in a certain amount of energy or Prana from the atmospheric air along with each breath. Vital capacity is the capacity shown by the largest quantity of air a man can inhale after the deepest possible exhalation. A man takes fifteen breaths in a minute. The total number of breaths comes to 21,600 times per day.

Varieties of Pranayama

“Bahya-abhyantar-stambha-vritti-desaa-kala

Sankhyabhih patidtishto deergha-sukshmah.”

                                                    Yoga Sutras—Chap. II, Sa. 50

Pranayama is regarded lengthy or subtle according to its three components, the external, the internal and the steady; the retention processes are modified by the regulations of space, time and number.

When the breath is expired, it is Rechaka, the first kind of Pranayama. When the breath is drawn in, it is the second, termed Puraka. When it is suspended, it is the third kind, called Kumbhaka. Kumbhaka is retention of breath. Kumbhaka increases the period of life. It augments the inner spiritual force, vigour and vitality. If you retain the breath for one minute, this one minute is added to your span of life. Yogins by taking the breath to the Brahmarandhra at the top of the head and keeping it there, defeat the Lord of death, Yama, and conquer death. Chang Dev lived for one thousand and four hundred years through the practice of Kumbhaka. Each of these motions in Pranayama, viz., Rechaka, Puraka and Kumbhaka, is regulated by space, time and number. By space is meant the inside or outside of the body and the particular length or the breadth and also when the Prana is held in some particular part of the body. During expiration the distance to which breath is thrown outside varies in different individuals. The distance varies during inspiration also. The length of the breath varies in accordance with the pervading Tattva. The length of the breath is respectively 12, 16, 4, 8, 0 fingers’ breadths according to the Tattvas—Prithvi, Apas, Tejas, Vayu or Akasa (earth, water, fire, air or ether). This is again external during exhalation and internal during inhalation.

Time is, the time of duration of each of these, which is generally counted by Matra, which corresponds to one second. Matra means a measure. By time is also meant how long the Prana should be fixed in a particular centre or part.

Number refers to the number of times the Pranayama is performed. The Yogic student should slowly take the number of Pranayamas to eighty at one sitting. He should have four sittings in the morning, afternoon, evening and midnight, or at 9 a.m., and should have thus 320 Pranayamas in all. The effect or fruit of Pranayama is Udghata or awakening of the sleeping Kundalini. The chief aim of Pranayama is to unite the Prana with the Apana and take the united Pranayama slowly upwards towards the head.

Kundalini is the source for all occult powers. The Pranayama is long or short according to the period of time, it is practised. Just as water, thrown on a hot pan shrivels upon all sides as it is being dried up, so also air, moving in or out ceases its action by a strong effort of restraint (Kumbhaka) and stays within.

Vachaspati describes—“Measured by 36 Matras, is the first attempt (Udghata), which is mild. Twice that is the second, which is middling. Thrice that is the third, which is the intense. This is the Pranayama as measured by number.”

The ‘place’ of exhalation lies within 12 Angulas (inches) of the tip of nose. This is to be ascertained through a piece of reed or cotton. The place of inhalation ranges from the head down to the soles of the feet. This is to be ascertained through a sensation similar to the touch of an ant. The place of Kumbhaka consists of the external and internal places of both exhalation and inhalation taken together, because the functions of the breath are capable of being held up at both these places. This is to be ascertained through the absence of the two indicatives noted above, in connection with exhalation and inhalation.

The specification of the three kinds of breath regulations, by all these three—time, space and number—is only optional. They are not to be understood as to be practised collectively, for in many Smritis we meet with passages, where the only specification mentioned with reference to the regulation of breath is that of time.

The fourth is restraining the Prana by directing it to external or internal object; “Bahyabhyantara-vishayakshepi chaturthah” (Yoga Sutras: 11,50).

The third kind of Pranayama that is described in Sutra 50 of the Yoga Sutras, is practised only till the first Udghata is marked. This fourth Pranayama is carried further. It concerns with the fixing of the Prana in the various lotuses (Padmas or Chakras) and taking it slowly, and slowly, step by step, and stage by stage to the last lotus in the head, where perfect Samadhi takes place. This is internal. Externally it takes into consideration the length of breath in accordance with the prevailing Tattva. Prana can be described either inside or outside.

By gradual mastery over the preliminary three kinds of Pranayama, the fourth kind comes in. In the third kind of Pranayama the sphere is not taken into consideration. The stoppage of the breath occurs with one single effort and is then measured by space, time and number and thus becomes Dirgha (long) and Sukshma (subtle). In the fourth variety, however the spheres of expiration and inspiration are ascertained. The different states are mastered by and by. The fourth variety is not practised all at once by a single effort like the third one. On the other hand, it reaches different states of perfection, as it is being done. After one stage is mastered, the next stage is taken up and practised. Then it goes in succession. The third is not preceded by measurements and is brought about by a single effort. The fourth is however preceded by the knowledge of the measurements, and is brought about by much effort. This is the only difference. The conditions of time, space and number are applicable to this kind of Pranayama also. Particular occult powers develop themselves at each stage of progress.

Three Types of Pranayama

There are three types of Pranayama, viz., Adhama, Madhyama and Uttama (inferior, middle and superior). The Adhama Pranayama consists of 12 Matras, Madhyama consists of 24 Matras and the Uttama occupies a time of 32 Matras. This is for Puraka. The ratio between Puraka, Kumbhaka and Rechaka is 1:4:2. Puraka is inhalation. Kumbhaka is retention. Rechaka is exhalation. If you inhale for a period of 12 Matras you will have to make Kumbhaka for a period of 48 Matras. Then the time for Rechaka will be 24 Matras. This is for Adhama Pranayama. The same rule will apply to the other two varieties. First, practise for a month of Adhama Pranayama. Then practise Madhyama for three months. Then take up the Uttama variety.

Salute your Guru and Sri Ganesa as soon as you sit in the Asana. The time for Abhyasa is early morning 4 a.m., 10 a.m., evening 4 p.m., and night 10 p.m., or 12 p.m. As you advance in practice you will have to do 320 Pranayamas daily.

Sagarbha Pranayama is that Pranayama, which is attended with mental Japa of any Mantra, either Gayatri or Om. It is one hundred times more powerful than the Agarbha Pranayama, which is plain and unattended with any Japa. Pranayama Siddhi depends upon the intensity of the efforts of the practitioner. An ardent enthusiastic student, with Parama Utsaha, Sahasa and Dridhata (zeal, cheerfulness and tenacity), can effect Siddhi (perfection) within six months; while a happy-go-lucky practitioner with Tandri and Alasya (drowsiness and laziness) will find no improvement even after eight or ten years. Plod on. Persevere with patience, faith, confidence, expectation, interest and attention. You are bound to succeed. Nil desperandum—Never despair.

sivanandji

The Vedantic Kumbhaka

Namasivaya chanting method

 Shiva Guru SPARK VASI YOGA 🧘‍♂️

🧘நமசிவாய🧘

'நமசிவாய எனும் மந்திரத்தை

வாய் திறந்து சத்தமாக

உச்சரிப்பதால்

லாபம் ஏதும் இல்லை 

வெறும் பிராண நஷ்டம் 

தான் மனமே'

'அதே நமசிவாய எனும் மந்திரத்தை

வாய் மூடி மனதிற்குள் உச்சரிப்பதால்

சுவாசம் சுழன்று சுழன்று கும்பகமாக

உள்ளிலே நிற்கும் மனமே'

'அதனால் சுவாச நஷ்டம் ஏற்படாமல் 

ஆயுள் நீடிக்கும் மனமே !

'சித்தர்களும் இதைத்தான் வலியுறுத்தினார்கள்

மனமே !

Shiva Raja Yogi Dr.Suresh